Bio
Linda Pietrobelli (2001) and Ambra Zamengo (2002) are currently pursuing their Bachelor's degree in Multimedia Arts at IUAV University of Venice. In 2023, they formed the collective “LOVELY-RATZ, born from the desire to work together, engaging with the dimension of “the other” and considering it as necessary for the development of thought.

Statement

By combining performance and photography in the analysis of human dynamics—with a particular focus on interpersonal relationships and social roles—their artistic research seeks to privilege queer and transfeminist perspectives, placing people at the center of both the artistic project and the work itself. They intertwine aesthetics and conceptual inquiry to create spaces for dialogue and reflection, fostering empathetic connections.
   Their artistic practice builds visual and theoretical connections through performative practices and bodily gestures: through these, they explore how the body interacts with its surrounding space, reinterpreting and shaping the environment through itself and its own perception.
  In the pursuit of a pre-practical emotional dialogue, their interest lies in understanding relational dynamics through a psychological and anthropological approach, which allows them to explore and communicate the complexities of places, individuals, and communities. From this arises their interest in connecting territory, nature, and people through expressive means such as photography, performance, and other artistic media.
Bio
Linda Pietrobelli (2001) and Ambra Zamengo (2002) are currently pursuing their Bachelor's degree in Multimedia Arts at IUAV University of Venice. In 2023, they formed the collective “LOVELY-RATZ, born from the desire to work together, engaging with the dimension of “the other” and considering it as necessary for the development of thought.

Statement

Bringing together performance and photography in the analysis of human dynamics, with a particular focus on interpersonal relationships and roles in society, our artistic research focuses on individual communication modes, privileging women and queer perspectives. Often, other people become the focal point of the creative process and the work itself.
  We constantly work to create spaces for dialogue and reflection, stimulating an empathetic connection. In the harmonious union of aesthetics and conceptual research, our artistic practice shapes visual and theoretical connections through performative practices and bodily gestures. Through performance, we explore how the body interacts with the surrounding space, reinterpreting and shaping the environment through the body itself and sensory and conceptual perception.

   Body and garment merge in a close connection: clothes become a bearer of identity, both individual and cultural, interacting in a profound relationship that combines the concepts of fashion and performance. This approach allows us to explore and communicate the complex dynamics of human relationships, places, individuals, and communities.
  In the pursuit of a pre-practical human and emotional dialogue, we are interested in better understanding the human being in all its facets through a psychological and anthropological approach to understanding other cultures. Hence, our interest in connecting territory, nature, and the human subject through expressive means
such as photography, performance, and other artistic channels.