LOVELY-RATZ About

Bio
Linda Pietrobelli (2001) and Ambra Zamengo (2002) are currently pursuing their Bachelor's degree in Multimedia Arts at IUAV University of Venice. In 2023, they formed the collective “LOVELY-RATZ, born from the desire to work together, engaging with the dimension of “the other” and considering it as necessary for the development of thought.

Statement

Bringing together performance and photography in the analysis of human dynamics, with a particular focus on interpersonal relationships and roles in society, our artistic research focuses on individual communication modes, privileging women and queer perspectives. Often, other people become the focal point of the creative process and the work itself.
  We constantly work to create spaces for dialogue and reflection, stimulating an empathetic connection. In the harmonious union of aesthetics and conceptual research, our artistic practice shapes visual and theoretical connections through performative practices and bodily gestures. Through performance, we explore how the body interacts with the surrounding space, reinterpreting and shaping the environment through the body, and through its perception.
   Body and garment merge in a close connection: clothes become a bearer of identity, both individual and cultural, interacting in a profound relationship that combines the concepts of fashion and performance. This approach allows us to explore and communicate the complex dynamics of human relationships, places, individuals, and communities.
  In the pursuit of a pre-practical human and emotional dialogue, we are interested in better understanding the human being in all its facets, through a psychological and anthropological approach to understanding other cultures. Hence, our interest in connecting territory, nature, and the human subject through expressive means such as photography, performance, and other artistic channels.


I <3 Porto Vecchio


poster
2024


“THE FUTURE IS PORTO VECCHIO” / “porto vecchio mi manchi” 
poster 100 x 70

The two posters were born from the dialogue between street art and the concept of mitteleuropa, creating a link between Brussels and Porto Vecchio (the Old Port) of Trieste.
   In Brussels, near the European Parliament, we found the graffiti statement “THE FUTURE IS EUROPE,” commissioned by a real estate company. In response, we created the phrase “THE FUTURE IS PORTO VECCHIO,” a performative act aimed at challenging the imposed narrative and creating a symbolic connection between the two cities.
   While commissioned graffiti follows an institutional type of communication, the other side of street art — such as tags and spontaneous messages — offers a less constrained, freer form of storytelling capable of expressing both individual and collective identities.
   The poster “porto vecchio mi manchi” (“Porto Vecchio, I miss you”) expresses a shared feeling of nostalgia and presents a direct contrast: while Brussels is full of graffiti that delineates a lived urban identity, Porto Vecchio is instead an abandoned place, lacking such visual expression. Here, the “non-place” manifests as an absence of identity, waiting to be filled with new meanings.
   Finally, an additional connection between Porto Vecchio and Brussels is represented by the stars, found in the architecture of Porto Vecchio’s Monumental Gate, in the logo of the Belgian beer Stella Artois, and in the European Union flag. This formal analogy overlays cultural symbols and explores the perception of belonging to a transnational European space.
   The posters are featured in the publication “POP”, which collects the outcomes of the project “POP Adriatico - Porto Osservatorio Partecipato”.